History - Museum Objects Essay Example | Topics and Well Written Essays - 3000 words

History - Museum Objects - Essay Exampleal languages have basically three component parts, one of which is the direct use of signs and symbols in the form of objects and space while the other two, non-verbal communication such as gestures and body language and verbal communication such as name and address and writing, drop also be preserved somewhat in the objects that are left behind and chiffonier help in determining the culture from which the object originated. Because objects share a role in the co-ordinated social communication modes of a particular society, the interpretation of these objects may differ from one society to the undermentioned or even one time period to the next. The way in which it is interpreted can non only provide significant contextual clues to the society from which it was produced, but can also reflect the rationality of the society attempting to place the object within its correct contextual space. In addition, that exact same object, for case a specific vase, may take on variant contextual meanings as it passes through time, primitively used as a container for liquid, later taking on the ashes of a dearly departed comparative and finally symbolizing perhaps a golden age in the progression of a nation. An object can never convey one single message, uncorrected, unambiguous and unqualified. Different social perceptions, needs and changing attitudes result see to that.2 In order to better understand how different objects can reveal different stories, this paper will take a look at three specific objects a decanter made by William Burges and a MacIntosh chair both on display at the capital of Seychelles and Albert Museum and the Grande Ludovisi Sarcophagus in the National Museum of Rome examining the provenance, contexts and different stories or readings offered of each.In terms of its socio-historical context, this decanter captures the opulence and compute detail of the later Victorian period in which a great deal of the artwork knowing represented a return to some of the more